〈Groundhog Day: A Week of Punxsutawney Phil〉, 2022.

digital collage, animation, projection mapping, sound, dimensions variable, 2 min. 25 sec. Commissioned by Asia Culture Center. Courtesy of the artist.

〈The Martyrdom of Men: With the Series of Newly Made Big Head Sculptures〉, 2022.

carved PC boards molding, electric wiring, cement, mixed media, dimensions variable. Commissioned by Asia Culture Center. Courtesy of the artist.

Sungsil Hwarang

〈Endangered Animals Graphic Archives: The Intro,〉, 2022.

〈Endangered Animals Graphic Archives: Fennec Fox, Eurasian Eagle Owl, Gaur, Tonkin Snub, and Sea Otter〉, 2022.

Yanobe Kenji

〈Ship’s Cat (Voyage)〉, 2022.

Lee Jo-heum

〈Long Shape Earth, Pictogram Jungle〉, 2022.

Jung Haejung

〈End Island (Ver.2)〉, 2022.

Digital Serotonin

〈New World? II〉, 2022.

Um Along

〈Sign of Movement〉, 2022.

AABB

〈Babel×Babel II〉, 2022.

Lee Byungchan

〈Creature〉, 2022.

Jang Jongwan

〈He Left on the Very Day I Came Back〉, 2022.

Jung Haejung

〈Half of Half of Half of the World〉, 2018.

Charles Lim Yi Yong

〈Sandwich〉, 2015.

〈A Lonely Concert for What Was There〉, 2012.

Choi Ji-ii

〈Groundhog Day: A Week of Punxsutawney Phil〉, 2022.

〈The Martyrdom of Men: With the Series of Newly Made Big Head Sculptures〉, 2022.

Kim Ayoung

〈Surisol Underwater Lab Guided Tour〉, 2022.

Kim Uljiro

〈The Trace of Ferns〉, 2022.

〈A Three-dimensional Preparat〉, 2022.

Digital Serotonin

〈Everything is Connected〉, 2022.

Lei Lei

〈Punk Look〉, 2022.

〈The Universe Cotton〉, 2009.

Lim Yonghyun

〈Can’t Be a Fossil〉, 2022.

Kayip × Lee Seulbi × Lee Jihyun

〈Carbon Clock @ACC〉, 2022.

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