![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/새로운-질서-그-후-둘러보기-2023-12채널-영상-컬러-무음.-국립아시아문화전당-제작지원.-작가-제공.jpg)
2023 ACC CONTEXT Walking, Wandering
After New Order
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/k01.jpg)
〈After City〉, 2023.
Website
Commissioned by Asia Culture Center.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/k02.jpg)
〈Browsing〉, 2023.
12-channel video, color, silent, loop.
Commissioned by Asia Culture Center. Courtesy of the artist.
After City
The collective After New Order is interested in various phenomena on the web, and explores diverse ways of dealing with issues such as user autonomy, web accessibility and post-platform.
After City is the name of the websites that were produced, based on actual places of the three artists’ areas of residence. The artists regard the website as a site with a domain address, and think about the website as a metaphor for a city.
Each website converts a public space like parks and train stations into private spaces, or turns a private space such as office into an open space for public use.
By constructing such websites that add personal experiences and incidents to a physical place, After New Order re-perceives the urban space and expands the meaning of “place.”
Browsing
Browsing is a moving image of the collective applying, to physical space, their resistance against the web ecosystem that is reorganized around the huge platform.
The artists took on diverse perspectives and focused on 12 different elements like corners and gaps, captured while walking through the main exhibition space in Asia Culture Center.
This reminds us of our experiences of having found meaning in subjects that we unconsciously walked by, or of having taken new paths never travelled before. By doing so, the work tells the audience that the web user can also explore other paths autonomously rather than being subordinate to the order that has been partitioned by the massive platform.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/강동주_유동-아주-밝고-아주-어두운.jpg)
Dongju Kang
〈Fluctuations, Brightness in the Darkness〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/김방주-그-누구의-것도-아니다-그날-까마귀가-떨어트린-2023-퍼포먼스-설치-OSB합판-캐스터-텍스트-가변크기.-국립아시아문화전당-제작지원.-작가-제공.jpg)
Bangjoo Kim
〈Belong to No One Else: Dropped by A Crow 〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/김재민이-레이온-공장-달리기-2023-아카이브-단채널-영상-컬러-사운드-가변크기.-국립아시아문화전당-제작지원.-작가-제공.jpg)
Gemini Kim
〈Invisible Factory Run Project- Rayon Plant Run〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/pic01.jpg)
Leung Chi Wo + Sara Wong
〈Young Girl Bending Her Arms〉, 2014.
〈Man With A Hat In A Long Gown〉, 2014.
〈Office Lady With A Red Umbrella〉, 2010.
〈Kid Running With A Chair〉, 2014.
〈Man in Suit Rubbing the Back of His Neck〉, 2018.
〈Japanese Housewife Scratching Her Back〉, 2010.
〈The Woman Carrying Rubber Basin On Her Head 〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/main.jpg)
Regina José Galindo
〈Who Can Erase the Traces? (¿Quién puede borrar las huellas?)〉, 2003.
〈Rivers of People (Ríos de Gente)〉, 2021-2022.
〈The Earth Does Not Hide The Death (La Tierra No Esconde Los Muertos)〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/리슨투더시티-거리의-질감-2023-단채널-영상-컬러-사운드-12분.-한국어-수어-영어-자막-국립아시아문화전당-제작지원.-작가-제공.jpg)
Listen to the City
〈Texture of Street〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/리-카이-청-저-너머-텅-빈-땅.png)
Lee Kai Chung
〈The Shadow Lands Yonder (虛無鄉遠)〉, 2022.
〈As Below, So Above (地上地下)〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/마리나-아브라모비치-The-Lovers-The-Great-Wall-Walk-1988.-2채널-비디오.-15분-41초.-LiMA-작가-제공.jpg)
Marina Abramović / Ulay
〈The Lovers, The Great Wall Walk〉, 1988/2010.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/미라-리즈키-쿠르니아_발자취를-쫓다.jpg)
Mira Rizki Kurnia
〈Napak Tilas (Traceback)〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/이창운_공간지도.jpg)
Changwoon Lee
〈Phenomenon Map〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/프란시스-알리스-Paradox-of-Praxis-1-Sometimes-Making-Something-Leads-to-Nothing-1997-Mexico-City-video-5-minutes-9-1.jpg)
Francis Alÿs
〈Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing)〉, 1997.
〈Paradox of Praxis 5: Sometimes we dream as we live & sometimes we live as we dream 〉, 2013 .
〈Border Barriers Typology: Cases #1 to #23〉, 2019-2021.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/글자를-입은-소리들이-모인-지도-2023-인터랙티브-프로젝션-매핑-컬러-무음-가변크기.-국립아시아문화전당-제작지원.-작가-제공.jpg)
Goeun Park
〈A Map of Written Sound 〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/새로운-질서-그-후-둘러보기-2023-12채널-영상-컬러-무음.-국립아시아문화전당-제작지원.-작가-제공.jpg)
After New Order
〈After City〉, 2023.
〈Browsing〉, 2023.