![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/글자를-입은-소리들이-모인-지도-2023-인터랙티브-프로젝션-매핑-컬러-무음-가변크기.-국립아시아문화전당-제작지원.-작가-제공.jpg)
2023 ACC CONTEXT Walking, Wandering
Goeun Park
〈A Map of Written Sound 〉, 2023.
Interactive, projection mapping, color, silent, dimensions variable.
Commissioned by Asia Culture Center.
Goeun Park works with graphic design to visualize research-based data with an interest in cities and architecture. She asks the origin of the names that are used to distinguish spaces around us from other spaces. In the A Map of Written Sound, the artist restores the names of old places and roads that are lost or forgotten in Gwangju. People in the old days saw Seoseokdae on Mudeungsan Mountain and called Gwangju “Mudol (a compound word of water and stone),” which means “stones flowing down like water.” This story suggests that there were many cases where the surrounding landscape of an area was often translated into language to become the original name of a specific place. The old original geographical names, which were passed down orally, were written in Chinese characters rather than in Korean alphabet, and are called in names that are completely differently today from their original word sounds.
The artist collects forgotten names of places and streets, and revives the old vanished names on current map coordinates. Whenever objets with unfamiliar words are transported by the visitor, a map is shown on the screen, telling stories and traces of the past capturing the name that might feel unfamiliar even to the residents of Gwangju today. Walking on a map, which signifies the translation of geographical names that reflect regional and social changes to lines and planes, makes it possible to access the rich weavings of the narratives of a city.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/강동주_유동-아주-밝고-아주-어두운.jpg)
Dongju Kang
〈Fluctuations, Brightness in the Darkness〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/김방주-그-누구의-것도-아니다-그날-까마귀가-떨어트린-2023-퍼포먼스-설치-OSB합판-캐스터-텍스트-가변크기.-국립아시아문화전당-제작지원.-작가-제공.jpg)
Bangjoo Kim
〈Belong to No One Else: Dropped by A Crow 〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/김재민이-레이온-공장-달리기-2023-아카이브-단채널-영상-컬러-사운드-가변크기.-국립아시아문화전당-제작지원.-작가-제공.jpg)
Gemini Kim
〈Invisible Factory Run Project- Rayon Plant Run〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/pic01.jpg)
Leung Chi Wo + Sara Wong
〈Young Girl Bending Her Arms〉, 2014.
〈Man With A Hat In A Long Gown〉, 2014.
〈Office Lady With A Red Umbrella〉, 2010.
〈Kid Running With A Chair〉, 2014.
〈Man in Suit Rubbing the Back of His Neck〉, 2018.
〈Japanese Housewife Scratching Her Back〉, 2010.
〈The Woman Carrying Rubber Basin On Her Head 〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/main.jpg)
Regina José Galindo
〈Who Can Erase the Traces? (¿Quién puede borrar las huellas?)〉, 2003.
〈Rivers of People (Ríos de Gente)〉, 2021-2022.
〈The Earth Does Not Hide The Death (La Tierra No Esconde Los Muertos)〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/리슨투더시티-거리의-질감-2023-단채널-영상-컬러-사운드-12분.-한국어-수어-영어-자막-국립아시아문화전당-제작지원.-작가-제공.jpg)
Listen to the City
〈Texture of Street〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/리-카이-청-저-너머-텅-빈-땅.png)
Lee Kai Chung
〈The Shadow Lands Yonder (虛無鄉遠)〉, 2022.
〈As Below, So Above (地上地下)〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/마리나-아브라모비치-The-Lovers-The-Great-Wall-Walk-1988.-2채널-비디오.-15분-41초.-LiMA-작가-제공.jpg)
Marina Abramović / Ulay
〈The Lovers, The Great Wall Walk〉, 1988/2010.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/미라-리즈키-쿠르니아_발자취를-쫓다.jpg)
Mira Rizki Kurnia
〈Napak Tilas (Traceback)〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/이창운_공간지도.jpg)
Changwoon Lee
〈Phenomenon Map〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/프란시스-알리스-Paradox-of-Praxis-1-Sometimes-Making-Something-Leads-to-Nothing-1997-Mexico-City-video-5-minutes-9-1.jpg)
Francis Alÿs
〈Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing)〉, 1997.
〈Paradox of Praxis 5: Sometimes we dream as we live & sometimes we live as we dream 〉, 2013 .
〈Border Barriers Typology: Cases #1 to #23〉, 2019-2021.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/글자를-입은-소리들이-모인-지도-2023-인터랙티브-프로젝션-매핑-컬러-무음-가변크기.-국립아시아문화전당-제작지원.-작가-제공.jpg)
Goeun Park
〈A Map of Written Sound 〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/새로운-질서-그-후-둘러보기-2023-12채널-영상-컬러-무음.-국립아시아문화전당-제작지원.-작가-제공.jpg)
After New Order
〈After City〉, 2023.
〈Browsing〉, 2023.