![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/main.jpg)
2023 ACC CONTEXT Walking, Wandering
Regina José Galindo
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/레지나-호세-갈린도_누가-그-흔적을-지울-수-있을까-1.jpg)
〈Who Can Erase the Traces? (¿Quién puede borrar las huellas?)〉, 2003.
Performance documentation, single-channel video, color, sound, 37min. 52sec.
Courtesy of the artist.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/main.jpg)
〈Rivers of People (Ríos de Gente)〉, 2021-2022.
Performance documentation, single-channel video, color, sound, 7min. 10sec, 6min. 41sec.
Courtesy of the artist.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/레지나-호세-갈린도_땅은-망자를-감추지-않는다-1.jpg)
〈The Earth Does Not Hide The Death (La Tierra No Esconde Los Muertos)〉, 2023.
Performance
Commissioned by Asia Culture Center
Who Can Erase the Traces? (¿Quién puede borrar las huellas?)
Regina José Galindo is widely acclaimed for her radical performances against violence and injustice. For the artist, the body is the most powerful medium through which to deliver pressing messages. In her performance Who Can Erase the Traces? the artist walked from the Constitutional Court to the National Culture Palace in Guatemala with a basin full of human blood, and left bloody footprints on the streets. This performance was carried out as a form of resistance against the political situation of the time, when the dictator Efraín Ríos Montt, responsible for the bloody incidents of violence during military dictatorship, ignored the constitutional law and re-ran at the presidential election. The artist left her footprint behind to remember the history of violence and sacrifice that should never be forgotten. The footprints belong to the artist herself who wishes to never forget the historical sacrifices, as well as to the victims she remembers.
Rivers of People (Ríos de Gente)
In another performance, Galindo walked with others. Rivers of People is a collective performance which remembers the river that used to flow but became polluted or dried up due to mining, hydroelectric power plants, and monoculture by multinational companies. The industrialization that devastated the river mobilized Guatemalan natives and exploited resources. More than 1000 participants from local communities, from children to youths and adults, participated in this performance, which took place in various regions throughout the country including Chisec, El Estor, and Champerico. The people, who marched with innocent faces, cried out slogans like “We fight for life!” “We fight for water!” and “Water is not a commodity!” The voices resonate even louder as people walked side by side with each other.
The Earth Does Not Hide The Death (La Tierra No Esconde Los Muertos)
The artist’s new performance in Gwangju, The Earth Does Not Hide The Death (scheduled for Sunday, May 14th) deals with the memory of the May 18 Gwangju Democratization Movement. The volcanic peaks the artist will make with 12 participants in the Asia Culture Plaza are connected to each other at the foot of the mountain. Through this performance, the artist wishes to remind us of the sacrifices that can never be concealed or denied, even if the sacrifices are not recognized in official numbers or statistics. It reveals the solid, root-like truth, which exists down this road where we take our steps.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/강동주_유동-아주-밝고-아주-어두운.jpg)
Dongju Kang
〈Fluctuations, Brightness in the Darkness〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/김방주-그-누구의-것도-아니다-그날-까마귀가-떨어트린-2023-퍼포먼스-설치-OSB합판-캐스터-텍스트-가변크기.-국립아시아문화전당-제작지원.-작가-제공.jpg)
Bangjoo Kim
〈Belong to No One Else: Dropped by A Crow 〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/김재민이-레이온-공장-달리기-2023-아카이브-단채널-영상-컬러-사운드-가변크기.-국립아시아문화전당-제작지원.-작가-제공.jpg)
Gemini Kim
〈Invisible Factory Run Project- Rayon Plant Run〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/pic01.jpg)
Leung Chi Wo + Sara Wong
〈Young Girl Bending Her Arms〉, 2014.
〈Man With A Hat In A Long Gown〉, 2014.
〈Office Lady With A Red Umbrella〉, 2010.
〈Kid Running With A Chair〉, 2014.
〈Man in Suit Rubbing the Back of His Neck〉, 2018.
〈Japanese Housewife Scratching Her Back〉, 2010.
〈The Woman Carrying Rubber Basin On Her Head 〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/main.jpg)
Regina José Galindo
〈Who Can Erase the Traces? (¿Quién puede borrar las huellas?)〉, 2003.
〈Rivers of People (Ríos de Gente)〉, 2021-2022.
〈The Earth Does Not Hide The Death (La Tierra No Esconde Los Muertos)〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/리슨투더시티-거리의-질감-2023-단채널-영상-컬러-사운드-12분.-한국어-수어-영어-자막-국립아시아문화전당-제작지원.-작가-제공.jpg)
Listen to the City
〈Texture of Street〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/리-카이-청-저-너머-텅-빈-땅.png)
Lee Kai Chung
〈The Shadow Lands Yonder (虛無鄉遠)〉, 2022.
〈As Below, So Above (地上地下)〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/마리나-아브라모비치-The-Lovers-The-Great-Wall-Walk-1988.-2채널-비디오.-15분-41초.-LiMA-작가-제공.jpg)
Marina Abramović / Ulay
〈The Lovers, The Great Wall Walk〉, 1988/2010.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/미라-리즈키-쿠르니아_발자취를-쫓다.jpg)
Mira Rizki Kurnia
〈Napak Tilas (Traceback)〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/이창운_공간지도.jpg)
Changwoon Lee
〈Phenomenon Map〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/프란시스-알리스-Paradox-of-Praxis-1-Sometimes-Making-Something-Leads-to-Nothing-1997-Mexico-City-video-5-minutes-9-1.jpg)
Francis Alÿs
〈Paradox of Praxis 1 (Sometimes Making Something Leads to Nothing)〉, 1997.
〈Paradox of Praxis 5: Sometimes we dream as we live & sometimes we live as we dream 〉, 2013 .
〈Border Barriers Typology: Cases #1 to #23〉, 2019-2021.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/글자를-입은-소리들이-모인-지도-2023-인터랙티브-프로젝션-매핑-컬러-무음-가변크기.-국립아시아문화전당-제작지원.-작가-제공.jpg)
Goeun Park
〈A Map of Written Sound 〉, 2023.
![](https://www.acc-exhibition.com/wp-content/uploads/2023/04/새로운-질서-그-후-둘러보기-2023-12채널-영상-컬러-무음.-국립아시아문화전당-제작지원.-작가-제공.jpg)
After New Order
〈After City〉, 2023.
〈Browsing〉, 2023.